Part Two of the Debut Collection comprises seven ensembles showcasing our first Made to Order offering. Introducing Claudia, Léa, Ancilla, Gina, Farin, Lily and Katia.
Produced entirely from our Melbourne studio, our Made to Order Collection features a selection of timeless designs that provide the opportunity to style a variety of bridal ensembles.
In the spirit of the Inpira brand, garments from the Made to Order Collection present distinctive options for all bridal events and life beyond.
The Inpira Made to Order Collection is created with a bespoke lens that begins with each client’s unique measurements and ends with a complete bridal ensemble.
To further explore the Debut Collection, Book An Appointment
Volumes of textured "plaster" fabric star in this Inpira ballgown. Twisted sculptural panelling creates a voluminous silhouette, while sharp lines define the neckline, peplum and bodice, contrasting the fabric's swirling details. The gown's cinched waistline is a focal point; a design intervention that ensures its maximalist silhouette and textured details are in balance.
Farin Gown
Cascading drapery and embroidered accents bring Art Nouveau to life on the body. The eye is drawn to this gown's fluid silhouette, which features a skirt that falls softly from the hip into a discreet split. An embroidered silk chiffon shawl echoes the chinoiserie-style bodice motif, emphasising the gown's alluring femininity.
Ancilla Gown
A bias-cut, reimagined. Light layers of raw-edged chiffon create continuous movement in this gown, which is finished with contrasting square-corner edges and emphasised embroidery. Unexpected closures at the back and neckline frame the body, adding depth to a traditional bias style.
Léa Gown
Imperfect symmetry means a twist on elegance. Panels, structure, and drapery combine in this gown to modernise a vintage-inspired silhouette. A fitted bodice and voluminous skirt in duchesse satin are complemented by functional sash details; emphasising Inpira's unconventional pattern design.
Claudia Gown
A bias-cut, reimagined. Light layers of raw-edged chiffon create continuous movement in this gown, which is finished with contrasting square-corner edges and emphasised embroidery. Unexpected closures at the back and neckline frame the body, adding depth to a traditional bias style.
Léa Gown
This bias-cut duchesse satin gown balances minimalism and character. Its crepe bodice is complemented by a satin skirt, which wraps the body and fastens at the back with unexpected ribbon features. Clean lines at the neckline and dropped waist contrast the gown's fluid drapery, while a statement overskirt with invisible fastenings enhances its spirit of modern formality.
Katia Gown
The art of 'form meets function'. This minimalist, self-lined gown in ivory crepe is subtly seductive, featuring a back split train and a neckline that gently peels away from the décolletage. Covered buttons allow for either a figure-hugging or a more relaxed fit.
Lily Gown
Cascading drapery and embroidered accents bring Art Nouveau to life on the body. The eye is drawn to this gown's fluid silhouette, which features a skirt that falls softly from the hip into a discreet split. An embroidered silk chiffon shawl echoes the chinoiserie-style bodice motif, emphasising the gown's alluring femininity.
Ancilla Gown
Volumes of textured "plaster" fabric star in this Inpira ballgown. Twisted sculptural panelling creates a voluminous silhouette, while sharp lines define the neckline, peplum and bodice, contrasting the fabric's swirling details. The gown's cinched waistline is a focal point; a design intervention that ensures its maximalist silhouette and textured details are in balance.
Farin Gown
The play of transformation. Styled with the Cecilia skirt, this versatile satin bodice turns a ceremonial silhouette into a fashion-forward reception look. Its clean, arched neckline is contrasted with a draped scarf, which can be worn in diverse ways according to personal style. Embroidered with a central Art Nouveau-inspired motif, the garment reimagines the classic bridal bodice through contrast, function, and decoration.
Gina Gown
Imperfect symmetry means a twist on elegance. Panels, structure, and drapery combine in this gown to modernise a vintage-inspired silhouette. A fitted bodice and voluminous skirt in duchesse satin are complemented by functional sash details; emphasising Inpira's unconventional pattern design.
Claudia Gown
A bias-cut, reimagined. Light layers of raw-edged chiffon create continuous movement in this gown, which is finished with contrasting square-corner edges and emphasised embroidery. Unexpected closures at the back and neckline frame the body, adding depth to a traditional bias style.
Léa Gown
This bias-cut duchesse satin gown balances minimalism and character. Its crepe bodice is complemented by a satin skirt, which wraps the body and fastens at the back with unexpected ribbon features. Clean lines at the neckline and dropped waist contrast the gown's fluid drapery, while a statement overskirt with invisible fastenings enhances its spirit of modern formality.
Katia Gown
The art of 'form meets function'. This minimalist, self-lined gown in ivory crepe is subtly seductive, featuring a back split train and a neckline that gently peels away from the décolletage. Covered buttons allow for either a figure-hugging or a more relaxed fit.
Lily Gown
Volumes of textured "plaster" fabric star in this Inpira ballgown. Twisted sculptural panelling creates a voluminous silhouette, while sharp lines define the neckline, peplum and bodice, contrasting the fabric's swirling details. The gown's cinched waistline is a focal point; a design intervention that ensures its maximalist silhouette and textured details are in balance.
Farin Gown
Imperfect symmetry means a twist on elegance. Panels, structure, and drapery combine in this gown to modernise a vintage-inspired silhouette. A fitted bodice and voluminous skirt in duchesse satin are complemented by functional sash details; emphasising Inpira's unconventional pattern design.
Claudia Gown
Cascading drapery and embroidered accents bring Art Nouveau to life on the body. The eye is drawn to this gown's fluid silhouette, which features a skirt that falls softly from the hip into a discreet split. An embroidered silk chiffon shawl echoes the chinoiserie-style bodice motif, emphasising the gown's alluring femininity.
Ancilla Gown
A bias-cut, reimagined. Light layers of raw-edged chiffon create continuous movement in this gown, which is finished with contrasting square-corner edges and emphasised embroidery. Unexpected closures at the back and neckline frame the body, adding depth to a traditional bias style.
Léa Gown
The art of 'form meets function'. This minimalist, self-lined gown in ivory crepe is subtly seductive, featuring a back split train and a neckline that gently peels away from the décolletage. Covered buttons allow for either a figure-hugging or a more relaxed fit.
Lily Gown
Volumes of textured "plaster" fabric star in this Inpira ballgown. Twisted sculptural panelling creates a voluminous silhouette, while sharp lines define the neckline, peplum and bodice, contrasting the fabric's swirling details. The gown's cinched waistline is a focal point; a design intervention that ensures its maximalist silhouette and textured details are in balance.
Farin Gown
Imperfect symmetry means a twist on elegance. Panels, structure, and drapery combine in this gown to modernise a vintage-inspired silhouette. A fitted bodice and voluminous skirt in duchesse satin are complemented by functional sash details; emphasising Inpira's unconventional pattern design.
Claudia Gown
This bias-cut duchesse satin gown balances minimalism and character. Its crepe bodice is complemented by a satin skirt, which wraps the body and fastens at the back with unexpected ribbon features. Clean lines at the neckline and dropped waist contrast the gown's fluid drapery, while a statement overskirt with invisible fastenings enhances its spirit of modern formality.
Katia Gown
The play of transformation. Styled with the Cecilia skirt, this versatile satin bodice turns a ceremonial silhouette into a fashion-forward reception look. Its clean, arched neckline is contrasted with a draped scarf, which can be worn in diverse ways according to personal style. Embroidered with a central Art Nouveau-inspired motif, the garment reimagines the classic bridal bodice through contrast, function, and decoration.
Gina Gown
Cascading drapery and embroidered accents bring Art Nouveau to life on the body. The eye is drawn to this gown's fluid silhouette, which features a skirt that falls softly from the hip into a discreet split. An embroidered silk chiffon shawl echoes the chinoiserie-style bodice motif, emphasising the gown's alluring femininity.
Ancilla Gown
Volumes of textured "plaster" fabric star in this Inpira ballgown. Twisted sculptural panelling creates a voluminous silhouette, while sharp lines define the neckline, peplum and bodice, contrasting the fabric's swirling details. The gown's cinched waistline is a focal point; a design intervention that ensures its maximalist silhouette and textured details are in balance.
Farin Gown
A bias-cut, reimagined. Light layers of raw-edged chiffon create continuous movement in this gown, which is finished with contrasting square-corner edges and emphasised embroidery. Unexpected closures at the back and neckline frame the body, adding depth to a traditional bias style.
Léa Gown
The play of transformation. Styled with the Cecilia skirt, this versatile satin bodice turns a ceremonial silhouette into a fashion-forward reception look. Its clean, arched neckline is contrasted with a draped scarf, which can be worn in diverse ways according to personal style. Embroidered with a central Art Nouveau-inspired motif, the garment reimagines the classic bridal bodice through contrast, function, and decoration.
Gina Gown
This bias-cut duchesse satin gown balances minimalism and character. Its crepe bodice is complemented by a satin skirt, which wraps the body and fastens at the back with unexpected ribbon features. Clean lines at the neckline and dropped waist contrast the gown's fluid drapery, while a statement overskirt with invisible fastenings enhances its spirit of modern formality.
Katia Gown
The play of transformation. Styled with the Cecilia skirt, this versatile satin bodice turns a ceremonial silhouette into a fashion-forward reception look. Its clean, arched neckline is contrasted with a draped scarf, which can be worn in diverse ways according to personal style. Embroidered with a central Art Nouveau-inspired motif, the garment reimagines the classic bridal bodice through contrast, function, and decoration.
Gina Gown
The art of 'form meets function'. This minimalist, self-lined gown in ivory crepe is subtly seductive, featuring a back split train and a neckline that gently peels away from the décolletage. Covered buttons allow for either a figure-hugging or a more relaxed fit.
Lily Gown
Cascading drapery and embroidered accents bring Art Nouveau to life on the body. The eye is drawn to this gown's fluid silhouette, which features a skirt that falls softly from the hip into a discreet split. An embroidered silk chiffon shawl echoes the chinoiserie-style bodice motif, emphasising the gown's alluring femininity.
Ancilla Gown
This bias-cut duchesse satin gown balances minimalism and character. Its crepe bodice is complemented by a satin skirt, which wraps the body and fastens at the back with unexpected ribbon features. Clean lines at the neckline and dropped waist contrast the gown's fluid drapery, while a statement overskirt with invisible fastenings enhances its spirit of modern formality.
Katia Gown
Imperfect symmetry means a twist on elegance. Panels, structure, and drapery combine in this gown to modernise a vintage-inspired silhouette. A fitted bodice and voluminous skirt in duchesse satin are complemented by functional sash details; emphasising Inpira's unconventional pattern design.
Claudia Gown
Volumes of textured "plaster" fabric star in this Inpira ballgown. Twisted sculptural panelling creates a voluminous silhouette, while sharp lines define the neckline, peplum and bodice, contrasting the fabric's swirling details. The gown's cinched waistline is a focal point; a design intervention that ensures its maximalist silhouette and textured details are in balance.
Farin Gown
Imperfect symmetry means a twist on elegance. Panels, structure, and drapery combine in this gown to modernise a vintage-inspired silhouette. A fitted bodice and voluminous skirt in duchesse satin are complemented by functional sash details; emphasising Inpira's unconventional pattern design.
Claudia Gown
This bias-cut duchesse satin gown balances minimalism and character. Its crepe bodice is complemented by a satin skirt, which wraps the body and fastens at the back with unexpected ribbon features. Clean lines at the neckline and dropped waist contrast the gown's fluid drapery, while a statement overskirt with invisible fastenings enhances its spirit of modern formality.
Katia Gown
The play of transformation. Styled with the Cecilia skirt, this versatile satin bodice turns a ceremonial silhouette into a fashion-forward reception look. Its clean, arched neckline is contrasted with a draped scarf, which can be worn in diverse ways according to personal style. Embroidered with a central Art Nouveau-inspired motif, the garment reimagines the classic bridal bodice through contrast, function, and decoration.
Gina Gown
